“White Tiger Legend”
This is the definition of passion! Of never giving up and being true to your vision.
“White Tiger Legend” is an animated fantasy kung fu adventure from the CGI artist Kory Juul.
Kory has worked on such films as “Avatar”, “The Matrix” and “The Hobbit”. He has travelled the world to put this film together from a story that has been in him for many years. It’s really inspiring what he has done.
This is a film I would love to see and especially to score. I have seen the film as an animatic, and let me tell you, it’s a great story and it’s the perfect film for the kind of score like the ones that made us fall in love with film scores to begin with; huge, colourful, heart-pounding and thematic. With the independence of going the Indiegogo way, this is possible. And I have in me to knock this out of the park and make this a great film score.
I have been in touch with Kory for a number of years now, been witness to his incredible journey to make this dream become a reality, and he’s been a real inspiration to me. Check out the video link below, you’ll see.
There’s some nearly complete footage, a bunch of animatics,but as I said, you will the amazing steps Kory has taken so far, the travels and effort, as well as a cameo from a bald guy you might know.
Anyway,hope you’ll chip in because you’ll get a KILLER score out of it, I promise you that!
My first musical love affair was with John Williams’ score for “Star Wars”. I remember clearly lying down in my mother’s living room as young lad of 8 or 9, chin in hands, listening to the entire soundtrack on the vinyl I received as a gift.
I read and re-read the liner notes as I listened to the music, a single page containing descriptions of all the tracks and all the themes. Even though I was quite young, I treated that piece of paper like gold and it is still intact in the original record sleeve from 1977, here in my studio.
I was taking piano lessons at the time and asked to play the music from “Star Wars”. I received a photocopy of the music, which I practiced very hard. I drew my own cover for the sheet music, taking great care with it. It was a x-wing being pursued by a tie-fighter with the Death Star in the background.
I can still sing you every single note of the Star Wars score. And now, many yeas later and with a master’s in composition behind me, I can tell you which parts of Star Wars come directly from the Rite of Spring. And you know what…?
I don’t care.
My love for this music is a link to my childhood, and there’s nothing that can change that. And on top of that, now that I know what happens during the composition of a film score (deadlines and temp scores) I can easily forgive a few minor “hommages”.
After my Star Wars score I received the vinyl for Superman. Same story and now I know every note.
After that it was the vinyl for E.T. Same thing.
I had brief affairs with Vangelis, Danny Elfman and Henry Mancini, but they never lasted. I always came back to John Williams.
To say that John Williams is the reason I love orchestral music so deeply is perhaps not a stretch. Our adult lives are shaped by our childhood experiences, and John Williams’ music was a big part of my childhood. In an era before VCRs, his music was a connection to my favourite films and I listened and listened until the scores became the central element.
Now, as I make my way as a professional film composer, his music is a constant reminder of the level of excellence I aim to achieve in my own career. From the indelible melodic writing to the glowing orchestrations, to the perfect dramatic placement of the music and the pacing of the score, John Williams music remains my biggest source of inspiration.