Being a film composer requires some technical know-how that’s for sure, and don’t wait to learn this on the job with huge deadlines. Make sure you learn ahead of time.
I have just completed composition work on a local feature and this is what I am doing now as I prepare for the recording sessions and mix.
- Preparing the MIDI and audio tracks for the recording engineer. I am doing a once over of the MIDI tracks to make sure I have the performance I want from each of them.
- Cleaning up the MIDI to import into Finale. You need to know what will translate well and most clearly into the notation software, and that means seeing the sequencer’s piano roll as notation and not caring about the actual music result.
- Have a solid system to keep track of your progress. My spreadsheet has colums for demo/approved/cleaned/mixer/score/parts/delivered and I add and removed columns as needed. I also use colour coding to keep track of everything, very easy to do and see at a glance. Much better than crosses and noughts, for examples.
- Preparing scores and parts in Finale.
Right now I am hugely pressed for time and just thought I would take two minutes to post this. If you are not fast at any of these steps and don’t have a system in place to keep track of your work, don’t wait.
Now back to work.