Action / Reaction – How to Hit Action in a Natural Way
In visual arts, music and film, we relate most¬†everything to our own own human experience. Things make sense to us when it relates to what we know, and that’s our own minds and bodies.¬†This makes sense right?
So when scoring you should often ask yourself ¬†“how would the audience react?”
Because as much as film scoring can add layers of subtext to the storytelling, as much as film makers are fond of saying “I don’t want the score to tell the audience what to feel!”, the fact is that a score will frequently heighten what is already on screen.
That’s why great composers like Jerry Goldsmith would first view the film as an audience member, to see how they reacted emotionally first.
Following what is on screen well is not easy or simple, and it is not cheap, not if it is well done. And like all other arts, beauty is in the details.
So here’s a detail for us to look at: how to hit a certain jarring piece of action.
The scene is from “The Adventures of Tintin”:¬†Sakharine draws his sword abruptly and points it at Tintin’s face. The context for the scene is this: a threatening exposition scene with no physical action. ¬†(Always consider the context!)
So… how do you hit this particular action in the particular context?
- Don’t hit it at all?
- Do some Mickey mousing by having a small flourish that ends as the tip of the blade stops?
- A small hit as the blades comes to a stop, no flourish?
How did John Williams approach this scoring detail? Here’s the clip.
The musical hit is as a reaction.
Consider this: If you get a blade drawn in front of your face at that speed, first you would have a reflex action and then a realization of the threat! This is what the music does here. Watch it again.
The music follows the natural way we react and, in this case, is not a “sound effect” as true Mickey Mousing would be, but rather follows the reaction the protagonist and the audience would have. The result is music that seems completely natural and organic to the picture.
Following the movement of the blade with the music (Mickey Mousing) would have had what effect on the scene? Would it have been a poorer or better choice and why? Leave your comments below!